In the beginning of the 70s there was a small-scale youth revival in the Methodist Church of the capital city Tallinn. The leader of this movement - Jaanus Kärner - had discovered that gospel music in the style of Andraé Crouch, Edwin and Walter Hawkins et al. was something that Estonian young people found relevant. A gospel-choir was formed, called Sela, which besides singing the songs of the aforementioned songwriters, also nurtured the talents of several local writers, singers and musicians. Surprisingly enough the same movement gave birth to a progressive rock group, In Spe, lead by a preacher's son Erkki-Sven Tüür. While in the Methodist Church they recorded a musical project - Via Avium - which brought them a much wider recognition. After some personnel changes they went mainstream and recorded an album for the Melodija recording company (the only one in the Soviet Union) - "Concerto For Typewriter", which was recently rereleased on CD by the French progressive rock specialists MUSEA. It mixed classical compositions with rock or symphonic orchestration and MUSEA describes it as a "pure gem". Erkki-Sven Tüür, who was one of the main forces behind In Spe, is now a internationally renowned classical composer.
Closely connected with the gospel-choir Sela in the Methodist Church were gifted singers-songwriters Arved and Pille Mägila, Ants Saluraid, who recorded several tapes with his songs, Kadri Hunt and Elo Toodo, who later became highly recognized in various musical circles. One can say that this musical youth revival in the Methodist Church came to an end with the immigration of Jaanus Kärner to the United States and one of the last events in this epoch was the conversion and subsequent immigration to Sweden of one of the most popular Estonian female singers - Marju Kuut.
Another hearth of youth revival was the Oleviste Baptist Church in Tallinn. From the mid-70s they started to organize evangelistic services for young people and music played an important role here as well. The main force was the youth choir Effataa, which brought to Estonians several Christian musicals, amongst them "If My People" by Jimmy and Carole Owens. Very encouraging to the Estonian Christian music scene was the visit of Living Sound in 1978, led by its director Terry Law. They were the first swallows to come to the much isolated East-Europe and brought fresh winds. After them came several famous Christian musicians from the States, who brought much encouragement, but also material help in the form of equipment and recordings - Scott Wesley Brown having a prominent place among them. He actually helped to start the production of Christian music tapes within the country itself, both of local artists and of several well-known American musicians, like Phil Driscoll, Debby Boone, Michael Card, Michelle Pillar etc.
Although there existed some recordings of Estonian Christian musicians even before 1984, this year marked the release of the first professional Christian music tape in Estonia - Lydia's "Olen vaba" ("I am Free"). It was secretly recorded in one of the state-owned studios, the cassette papers were printed in Finland and then smuggled to Estonia and the tape itself was secretly manufactured in a governmental tape factory. It was the first release of Charismata Ministries, which just some years later started to play an important role in distributing contemporary Christian music all over the Soviet Union. Although the tape bears the name of Lydia (Hõbesalu) on its cover, it included two other participants as well - Tarmo Vardja, who was the choir-leader of the aforementioned Effataa choir and a professional violinist and Raimond Jakobs, who besides singing was also the producer. All of them belonged to the Oleviste Baptist Church. Lydia Hõbesalu has since then released several tapes of her own, the latest one "Nagu koit mägedel" ("Like The Daybreak On The Mountains") came out in 1995, consisting of pop songs written by Lydia herself.
The second part of the 80s can be described as an active period of introducing mainly American ccm to people all over the former Soviet Union. It was a joint effort of some Christian musicians, most prominently Scott Wesley Brown, and record companies in the US, like Sparrow and Star Song on one hand and Charismata Ministries in Estonia on the other. Estonian Gospel Distribution Network was founded and cassette copies of all albums received from the States were sent to different churches in many parts of the former SU, included Latvia, Lithuania, Ukraine, Georgia, Armenia, different places in Russia etc. Reportedly this brought many young people to the Lord, which means that Christian music has played a major part in several youth revivals not only in Estonia, but also elsewhere in this region.
In Estonia there erupted a strong revival among young people in 1987, which is known under the name The Word of Life Movement. Thanks to the emphasis on Christian music in this movement, several Estonian top musicians and singers became Christians, included Joel Steinfeldt and Tõnis Mägi, who was one of the most loved singer in the Soviet Union as a whole and whose concerts in Moscow were often sold out. As this youth revival flowed into the so-called "singing revolution", which finally brought forth the liberation of our country, the Christian songs of Tõnis Mägi became almost national anthems, which were sung before large gatherings of hundreds of thousands of people. Later, in the nineties, Tõnis Mägi has released 3 CDs, which contain both Christian and secular material and he continues to be a popular singer in our country.
Another interesting phenomenon in the Estonian Christian music scene has been a group of two twins, married to each other, called Sõnajalg. They too rose to popularity and fame during the hectic days of this "singing revolution" and their success was enormous. Their first tapes were recorded and manufactured in Finland, but later they established their own studio in Estonia and recorded several tapes and CDs at home. Their records have been sold more than any other artist's, whether Christian or secular, and total up to several hundreds of thousands. Their musical style is pop, in some ways similar to Abba or the Christian group Silverwind, which once was pretty popular also in Estonia.
Another well-known and talented Christian artist is Elo Toodo, whom we already mentioned in connection with the Sela gospel-choir in the Methodist church, where she began her musical career. She is a professional musician (violinist) and besides her own cassette album "Silently" (sung in English), she has performed with the group Psalm 102, consisting of many well-known Estonian jazz-musicians, like for example the bass-player extraordinarie Taavo Remmel, who has had an enormous impact on the whole Estonian gospel music scene, but who is also well-known in secular jazz-circles. Elo Toodo's songs are a mixture of jazz and soul and black music has always been her main interest. At present Elo is one sixth of the vocal jazz ensemble Swing Sing Sextet (Kiigelaulukuuik), who in 1995 released their first CD "Siidiplaat" ("The Silk Disc").
In recent years several new talented Christian singers and groups have released their tapes, for example Andres Jäätma and Kenno Leier, and some popular mainstream singers like Henry Laks and Karl Madis have received Jesus into their lives and music. Among young people of today one of the most popular Christian singers is Villu (actually Viljar Olesk). As a former DJ and club dancer he certainly knows the musical preferences of young people and both of his cassette albums "Tee, tõde ja elu" ("The Way, The Truth and The Life") and "Inglid" ("Angels") are constantly playing in the tape players of young people. One can say that he is the pioneer of Estonian sanctified dance music.
1996 has "sanctified" still another musical style for the Estonian Christian music scene, namely rap. Two young guys, Andrus D.J. GospelRäpp and Tim M.C. TimOtheus, being inspired by Americans Scott Blackwell and T-Bone, have had a pretty fast rise to prominence. Their first concert under the name Revolution J. took place this very summer and already in October they released their first tape album "Roosteliblikas" ("Rust Butterfly"), which is very popular among the young generation.
There are two factors to be named, which have greatly contributed to the establishment and growth of the Christian music scene in Estonia. One of them is of course Christian radio. It all started with a Christian music enthusiast Ülo Niinemägi, who received a word from the Lord about going to the state-owned radio station (then still Soviet) and asking for time to have a Christian music program. Miraculously they said yes and March 1991 marks the beginning of the Christian music invasion on Estonian radio. For two years Ülo Niinemägi had his monthly gospel programs on Estonian state-owned radio, inviting several musicians to come to play and sing live on his programs (Perry & The Poor Boys, Larnelle Harris etc.).
In recent years two independent Christian radio stations have been established in Tallinn - The Family Radio and Radio 7 (which is a IBRA-branch) - with sister stations in other parts of the country. Both of them have Christian music programs of various kind, included charts. The latest addition has been a weekly four hour live show on Radio 7, where one hour is dedicated to sanctified dance music ("Christian rave party") and one hour to Christian rock ("Rock block") and which is hosted by the author of this article.
The other factor is the yearly gospel festival, which in 1996 took place for the eight time. It has been organized by several Christian organizations like Estonian YWAM and Young River Ministries in the States and sponsored by different churches. Besides our local Christian musicians and groups we have had the possibility to see and hear such famous and talented artists as Iona, Rick Cua, Phil Driscoll, Sheila Walsh, Paul Smith, Bruce Carroll, Scott Wesley Brown and in 1996 The Kry and Jennifer Knapp. 1996 was also the year when our first Christian music publication, the magazine "Heaven's Music" ("Taeva Muusika") saw the light of the day.
Although many wonderful things have taken place during the last years in the Christian music scene in Estonia, there still remains much to be done in firmly establishing this exciting God-given form of human expression in the society, which for many decades was ruled by pointless atheistic spirituality.
From the February/March 1997 issue of Cross Rhythms (UK)